Ed Selley

Ed Selley  |  Jun 27, 2011  |  0 comments
Icon Audio Stereo 60 Mk 3 More powerful than most and built the old-fashioned way: no printed circuit boards here! Icon’s exuberant literature makes many claims for this amp, including higher output power than most KT88 models can muster: 65-watt ultralinear or 35-watt triode. There’s nothing outrageous about that, though, and indeed we’ve seen 100-watt amps using just a pair of KT88s. The relatively high output power is partly responsible for the considerable weight of this amp, but the chassis is very substantially built too, complete with a solid copper top-plate around the valve area. Unusually, all the valves are octal-base types, including the small-signal valves and voltage regulator.
Ed Selley  |  Jun 27, 2011  |  0 comments
Opera Consonance Cyber 100 Signature This classic amp is as mechanically elegant as it is electronically simple There seem to be quite a few similarly-named amps in the Consonance range and this one with KT88 output valves appears to be specific to the UK market. It’s a classic design, both electronically and mechanically, and a very simple one in terms of its circuit. The valve count is typical: two double-triodes per channel looking after phase-splitting and driving the output valves. In keeping with current trends, there are a couple of 6SN7 valves, an old type that pre-dates the ECC8x varieties so popular in audio.
Ed Selley  |  Jun 27, 2011  |  0 comments
PrimaLuna Prologue Two Basic on the features front, but beautifully built and an excellent choice for lovers of human voice Designed in Holland and made in China, PrimaLuna’s amps are essentially classic valve designs, but they bring distinctive aesthetics and a few modern design touches to the party. One such notable feature in this amp is ‘Adaptive auto bias’. Bias is a long-standing pain in the neck of valve amps: quite simply it’s the DC (‘standing’) current in the valves under conditions of no audio signal and it’s critical. Usually amps either have manually adjusted bias, which may even require test equipment to set, or auto-bias (also called ‘self-bias’), which does what it says but, in the traditional implementation, reduces maximum output power.
Ed Selley  |  Jun 27, 2011  |  0 comments
Pure Sound A30 Somewhat belying the name, we found this to be a very characterful amp – mostly for the better! There are degrees of valve purism. Pure Sound, appropriately enough, takes things a step further than most by using valve rectifiers in the A30, as well as valve-amplifying components. Is there sense in this? Valve rectifiers waste energy compared with solid-state diodes, they cost more and take up space and, like all valves, they have a finite useful life. Despite all that, they do have advantages in terms of turning AC into DC, with minimal high-frequency noise generation.
Ed Selley  |  Jun 27, 2011  |  0 comments
Triode Corporation TRV-88SE Striking to behold, very agile – but doesn’t quite knit everything together as one would like Triode Corporation makes a range of amps, which presumably all use triode connection of the output devices – this one certainly does. In many ways it’s a fairly conventional push-pull design, though the external finish is certainly among the best, with and wooden side cheeks. The removable valve cover is exceptionally resonant, but the cover over the transformers appears to be filled with resin and is completely dead, acoustically. Internal construction uses a mix of circuit boards.
Ed Selley  |  Jun 16, 2011  |  0 comments
Split the difference DACs are all the rage (again), so we ask if two boxes can be better than one? Ed Selley seeks answers from Musical Fidelity’s two-box M1 Musical Fidelity has returned from its latest period of reinvention on something of a roll and the rapid release of new products shows no signs of abating. Following on from the headphone and integrated amps, this is our first experience of the new range of digital products from the company. The M1 DAC has been on sale for a few months now, but has recently been joined by the partnering M1 CDT. This is a brand new product and is, perhaps, the more unusual one of the two.
Ed Selley  |  Jun 16, 2011  |  0 comments
Only way is Essex Rega’s first ever DAC, a £500 five-filter mini marvel, is here and Technical Consultant Richard Black has (five) stars in his eyes . . . It’s always hard to resist a sense of humour.
Ed Selley  |  Jun 16, 2011  |  0 comments
Game- changer After 25 years in hi-fi, Cyrus has launched three new streaming-compatible products. Jason Kennedy examines the new technology Streaming is the bandwagon to be on in 2011. Any electronics manufacturer worth its salt has realised as much and many are already fighting for a slice of what is considered to be the future of audio. Cyrus has jumped in with three new streaming-compatible products that compete head-on with the leaders in the field, each contained within the iconic half-width Cyrus case and bursting with features.
Ed Selley  |  Jun 16, 2011  |  0 comments
The art of sound Jason Kennedy puts a £1,700 German-made newcomer from Acoustic Signature against rivals from Pro-Ject and Well Tempered Just when you thought that you could relax with your record collection along comes another contender with a substantial range of serious-looking turntables. What’s surprising, however, is that despite having UK representation for some time, it’s only in the last few months that we have discovered Acoustic Signature, of which the Manfred Mk II is one of the German company’s more affordable offerings. It comes with an outboard power supply and a free-standing motor and the diamond polished platter sets it apart from an increasingly large crowd of competitors at this level, as does switchable speed control. It can be supplied with any Rega tonearm, or a base to the arm of your choice.
Ed Selley  |  Jun 16, 2011  |  0 comments
Unique proposition In-ear newcomer Unique Melody is breaking the (custom) mould with its six-driver tailor-made earphone. Dan George fills his ears ew to the UK, Unique Melody is an earphone specialist with an impressive range of feature-heavy products. The flagship model tested here, the Miracle, is unusual in boasting six drive units: twin treble; twin mid and twin bass drivers, with a passive three-way crossover all packed into a compact shell barely any bigger than rivals from Shure and ACS. From a respectable line-up, the UK distributor AmpCity, suggested we dive straight in with the top model, aimed at audiophiles on the move.

Pages

X