Ed Selley

Ed Selley  |  Aug 07, 2011  |  0 comments
Space saver For hi-fi-like sound in the office, kitchen or bedroom, Richard Black reckons the new, improved Vita R4i is the right tool for the job Back in HFC 310, we had our first experience of the excellent R4 from Vita Audio – now here’s the latest version of the same model, the R4i. The ‘i’ evidently doesn’t stand for ‘iPod’, as that family of devices was supported from the outset. Indeed, you’ll look in vain for features that weren’t present on the original model. Vita Audio has put all the revisions under the bonnet, improving sound quality, the company claims, by a significant margin.
Ed Selley  |  Aug 07, 2011  |  0 comments
Why Zero is our hero Makers of some of the most exotic hi-fi on the planet, Audio Note's Zero system is, says Jimmy Hughes, refreshingly affordable High-end audio tends to be a tad expensive. When a manufacturer sets out to employ specialised military-grade internal components that are large and massively over-specified, you can’t expect prices to be low. Nevertheless, some high-end manufacturers relish the challenge of designing products that deliver a taste of high-end performance at more wallet-friendly prices. After all, it’s not easy to produce outstanding results within tight budget constraints, but Audio Note’s Zero System aims to do just that.
Ed Selley  |  Aug 07, 2011  |  0 comments
Sound Ethos With high output power, balanced inputs, a DAC and USB ports, could the striking new hybrid Ethos be all things to all men? asks Jimmy Hughes The increased use of music sources other than CD has led to the need for hi-fi components with a broader range of options. In particular, the ability to accept digital source material stored on computer hard drives has become an added factor. With the Ethos, Pathos has created a powerful hybrid tube/transistor integrated amplifier capable of accepting a wide range of sources – from balanced analogue via XLR, to digital via USB (via an optional DAC). Here’s an amplifier that meets the needs of two-channel purists, while catering for those interested in using digital sources.
Ed Selley  |  Aug 07, 2011  |  0 comments
Multi-purpose Could Onkyo's TX-NR609 receiver be the best-featured audio tool on the planet? Ed Selley thinks he's found a great way to spend £500 It’s been a good few years since we featured an AV receiver in Hi-Fi Choice. But following Onkyo’s recent return to hi-fi (HFC 345) we were made aware of a truly ground-breaking new product with an astonishing spec-list, one that we felt should be put through its paces. The TX-NR609 is a seven-channel AV receiver with 160 watts (albeit into six ohms) per channel and six-HDMI inputs able to receive 3D video and every audio format you can think of. Additionally more conventional digital and analogue inputs are fitted, as well as an internal tuner.
Ed Selley  |  Aug 07, 2011  |  0 comments
Magnificent Seven DALI's IKON 7 MKII boasts proprietary drivers and Danish assembly, a combination that as Paul Messenger finds, gives them high-end sparkle DALI (the name is actually an acronym for Danish Audiophile Loudspeaker Industries) debuted its new IKON range at the May 2010 Munich High End Society show and while the overall sizes and configurations of the various MK2 models do correspond closely to those of the original IKON range (first launched in 2005), they also incorporate plenty of engineering and cosmetic changes. The IKONs are Danish-made loudspeakers, so manufacturing isn’t cheap. Furthermore, the value of the Danish Krone (linked to the Euro) has appreciated significantly compared to sterling in recent years, so a significant price rise for this MK2 range was inevitable. Even so, an increase from £999 to £1,699 over a six-year span is pretty hefty, especially for a speaker finished in vinyl woodprint.
Ed Selley  |  Aug 07, 2011  |  0 comments
Aural XTZ Ed Selley discovers a high-value standmount that combines a SEAS driver and a ribbon tweeter to sparkle in the sub-£800 price bracket Hailing from Sweden, XTZ has expanded rapidly to produce a bewildering array of electronics and loudspeakers. The company focuses on trying to provide strong value for money and its products seem to be very competitively priced. The 99. 26 is the second most costly standmount in the range, but still only sells for £670.
Ed Selley  |  Jul 27, 2011  |  0 comments
Kudos X2 The new X2 is the first model to bring the Kudos sound to the value-led consumer Founded by ex-Neat personnel, Kudos might be a relative newcomer on the UK speaker scene, but its progress with the upmarket Cardea models has been both steady and impressive. Though far from cheap – the only components sourced from outside Europe is the terminal pair – the £1,350 X2 is the first to make the Kudos sound available at a rather more affordable price. This very compact two-way floorstander has recently undergone a few changes. The drive units from Norwegian manufacturer SEAS remain the same as before, but the enclosures now come from respected Danish cabinet-maker Hornslet, while the crossover network now uses Mundorf resistors from Germany, and both these changes are claimed to improve the sound quality.
Ed Selley  |  Jul 27, 2011  |  0 comments
Neat Motive 1 Neat by both name and nature, this compact floorstander is physically, rather than sonically laid back A well-established operation, Neat’s reputation was founded on a small, but very communicative standmount called the Petite. The product portfolio has expanded considerably since then; the four stereo pairs in the Motive range consisting of three ultra-compact floorstanders and a standmount. Though still quite small by any standards, the two-and-a-half-way Motive 1 is the largest of these, a little taller than the two-way Motive 2, in order to make room for an extra bass-only driver beneath the main bass/mid driver. The twin 135mm drivers have 95mm cones, while the tweeter has an inverted 25mm titanium dome with integral-pleated surround.
Ed Selley  |  Jul 27, 2011  |  0 comments
PMC GB1i Transmission line bass loading distinguishes this compact floorstander from most of the competition Since its beginnings in the late 1980s, PMC has grown into a major player on the UK speaker scene, focusing on ProAudio customers and the more upmarket hi-fi sector with its ATL (advanced transmission line) speaker systems. Although it’s no larger in width and depth, the £1,525 per pair GB1i is a little taller than the other two-way models that use small bass/mid drivers. The reason has all to do with the transmission line bass loading technique, which squeezes a carefully damped 2. 4m line into the enclosure volume behind the main driver, by folding it twice and terminating it with a large port at the front near the floor.
Ed Selley  |  Jul 27, 2011  |  0 comments
ProAc Studio 140 Mk2 Substantial floorstander’s twin 165mm bass/mid drivers ensure a very muscular performance with superb headroom array A long-established British speaker brand with roots back in the 1970s, ProAc has only made the occasional appearance on the Hi-Fi Choice review roster. That’s mainly because the company has long been primarily export-oriented, with representation in more than 50 countries worldwide. The three Studio models – two standmounts and this floorstander – are among ProAc’s less costly models and although this Studio 140 Mk2 pricetag of £1,690 per pair is at the top end of our test group, the speakers themselves are as large as any of the others, as well as the heaviest in the group. The dimensions are partly dictated by the twin 165mm drive units that operate in tandem right through the bass and midrange here.

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