Turntables, Arms & Cartridges

Edwardian splendour Malcolm Steward assesses a Rega-based turntable from Edwards Audio, a new outfit from the Talk Electronics stable The Edwards Audio TT1 starts at a very reasonable £325 without a cartridge, but is also available with an Edwards Zephyr £60 cartridge for £375 (a £10 saving when purchased with the deck as a complete record-playing package). This cartridge is similar to the popular Goldring Elektra, supplied with this review sample on the highly respected Rega RB250 [OEM] tonearm. Clearly this turntable is targeted at those who want to be able to enjoy their vinyl, without having to remortgage their homes or sell any of their internal organs to fund the investment. Rega revisited The TT1 differs from the timeless Rega P2, upon which it is based, in that it features a clear, naked acrylic platter.

Michell Gyro SE £1,140 With Michell proprietary technology such as TechnoWeight, this turntable has a few surprises up its tonearm The Michell look is distinctive and eye-catching and this turntable is no exception. To what extent, though, does form follow function? Many aspects of the Gyro’s design are highly functional, for instance those brass weights hanging below the plastic platter. Yes, a flat disc of brass (or other metal) would have achieved the same aim of adding rotating inertia, but it wouldn’t have done it any better - probably a little worse. On the other hand, the skeletal metal casting which forms the subchassis of the Gyro SE is, if we’re honest, more attractive than effective.

Roksan Radius 5. 2 £1,399 (inc. arm) Putting the competition to shame in terms of rhythm and pace, the Radius 5. 2 has much to recommend it The Radius design has undergone so many changes over the years that practically no single part is left of the original, yet it is instantly recognisable as the same model.

Tube upgrade Funk Firm's dramatic rethinking of the armtube has finally born fruit, Jason Kennedy finds out if it’s ripe for the listening Arthur Koubesserian is one of those audio engineers who genuinely thinks outside of the box. He has been doing so since he set up Pink Triangle in the late seventies and his Funk Firm continues the theme with its first tonearm. The FXR takes a radical approach to the problem of resonance by placing a carbon fibre cross section in the middle of a thin, walled aluminium tube. An approach which he claims makes an incredibly stiff, yet light-weight tube that’s far superior to the beams found on other tonearms.