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Headphones have taken over the audio world for all but the cognoscenti (that’s us, we know about sound). And the well established hi-fi brands have all been scrambling to get on the band wagon too, even brands that have previously not been involved with domestic audio are getting in on the act; I even saw some Marshall branded headphones in a Paul Smith store theother day! Focal got its first headphone to market a couple of years ago, that was the Spirit, late last year it added two more models, the Spirit Pro and Spirit Classic. The latter is an audiophile version of the Classic with higher build and, its claimed, sound quality than the standard Spirit. The two models are very similar in appearance, but when you put them side by side the Classic looks positively deluxe with its leather padding and brushed aluminium metalwork.

Back in the November 2013 issue (377) we reviewed the £350 Cambridge Audio Aero 2 standmount loudspeaker. The Aero 6 is a larger, floorstanding version of the same design, deploying identical drive units with the far larger cabinet volume that comes from having a big box that sits securely on terra firma! Many will expect the Aero 6 to be better, then; after all, it’s nearly twice the price and has far more air inside its capacious cabinet. Trouble is, in doing a floorstanding version of a smaller standmount speaker, you open yourself up to a problem that’s never easily solved, especially in budget designs, which is how to keep the cabinet under control. The thing is, that bigger box might let the bass driver move air easier, but there’s also the worry that it will also move the cabinet.

You may think you’ve already seen the D 7050 gracing our review pages in recent months, as it looks strikingly similar to NAD’sD 3020 amp and D 1050 DAC, bothof which we tested back in issue 379. The D 7050 here, however, is an altogether more thorough package, and employs NAD’s Direct Digital circuitry (see Q&A), handed down from the company’s high-end Masters Series. This circuit ensures all preamp functions are performed in the digital domain, which NAD says helps keep unwanted noise low. Being a digital amp means that the D 7050 is bereft of analogue inputs, but digital inputs are well served across four S/PDIF sockets shared over coaxial and optical, alongside USB and Ethernet ports.

You might be forgiven for gaining the impression that there is really only one option when it comes to portable digital players capable of 24/192 resolution – Astell&Kern. But it was always only a matter of time before other players appeared. Those in search of an alternative to the somewhat pricey players from iRiver pricked up their ears whenFiiO trailed the availability of a more affordable unit using the same Wolfson WM8740 DAC. A similar frisson was felt when it released an excellent portable headphone amp – the E17 – a year or two ago.