LATEST ADDITIONS

Ed Selley  |  Nov 30, 2011  |  0 comments
Musical update This Creek amp claims a variety of technical improvements over the original. Richard Black investigates how this works out in sonic terms Rather to our surprise, we find it’s over five years since we first set eyes and ears on the original Creek Evolution amp. Amplifier design may not have made any revolutionary leaps in that time (at least, conventional amplifier design like Creek’s – switching amps have progressed rather more), but it’s natural that a manufacturer would find a few tweaks to apply that could justify adding a ‘2’ to the model name. Extra, extra One of the changes is a practical one, adding an ‘AV direct’ inputwhich bypasses the volume control, allowing the Evo 2 to be used as a power amp.
Ed Selley  |  Nov 30, 2011  |  0 comments
Swell new bel From America comes a switching amp that’s big on digital inputs. Richard Black thinks it might be the most exciting thing he’s heard in a while Don’t be too hard on yourself if you haven’t heard of Bel Canto. We’d had very limited exposure to the firm’s products and only a rather hazy idea about what the range consists of. In fact, the company can sort you out a complete hi-fi system (minus speakers) from its product list, which includes predictable things like a CD player and a handful of DACs, as well as an FM tuner with partly digital processing and a digital output.
Ed Selley  |  Nov 30, 2011  |  0 comments
A touch of glass Can this substantial valve output CD player mix it with the hardcore contenders? Jason Kennedy finds out Ayon is an Austrian company that produces sources, amplifi ers and loudspeakers, as well as glass audio components. It makes its own power valves at a facility in the Czech Republic and builds some very high-end products – it’s most affordable power amp, for example, costs nearly £20,000. The CD-07s sits at the opposite end of the scale and looks to be an attempt to break into a sector of the market with more potential buyers. A deeply competitive sector, of course, but this player is heavy on features.
Ed Selley  |  Nov 30, 2011  |  0 comments
A star is born Jimmy Hughes believes Shanling’s latest CD player gets closer to SACD performance levels than anything comparable on the market Shanling’s new CD-T2000 shares the stunning aesthetic of the former CD-T1500, but, although superficially similar, the two players are, in fact, quite different. The CD-T2000 is a Red Book CD player constructed around a highquality Sanyo HD-850 transport. It also features a Burr-Brown PCM 1792 24-bit/192kHz upsampling DAC. It has a genuine tube output stage, but no solid-state analogue output.
Ed Selley  |  Nov 30, 2011  |  0 comments
Precision audio? Deltec was one of the first to make a standalone DAC and now its back in the fray, Jason Kennedy finds out if its experience has paid off Back in the late eighties the idea of a separate digital-to-analogue convertor was a very new thing. Until then, the relatively young CD player market had, on the whole, been dominated by larger companies. Deltec Precision Audio (or DPA) was formed by Robert Watts and Adrian Walker to produce technologically advanced audio components, among which were pre and power amplifi ers as well as one of the first standalone DACs to hit the market, the DPA PDM1. This used surface-mount devices (SMD) in its circuit boards, had one of the first bitstream chipsets and came in a shiny dark grey case.
Ed Selley  |  Nov 30, 2011  |  0 comments
Let the beat drop The Drop is one of the most distinctive-looking speakers on the market. Ed Selley investigates whether the music is as smooth as the lines Scandyna has been producing its distinctive pod speakers for over a decade and there is now an eight-strong range of stereo models with supporting subwoofers and amps. The Drop is, however, as the name suggests, modelled on a droplet – even down to the ‘separating stem’-effect at the top of the cabinet. Plastic fantastic The Drop retains many classic Scandyna features, including a cabinet formed of ABS plastic.
Ed Selley  |  Nov 29, 2011  |  0 comments
Potent Cocktail Newcomer Cocktail Audio has a high-value music server that’s also high on features. Jason Kennedy remains shaken, however. The Cocktail X10 is positioned to take on the Brennan JB7, but adds a raft of extra features and considerably greater hard-drive sizes from 500GB to 2TB. It’s a compact unit that can rip CDs in a variety of formats including WAV and FLAC.
Ed Selley  |  Nov 29, 2011  |  0 comments
In the round Elipson’s one-box Music Center MC1 is a striking piece of design. Ed Selley finds out if it has a well rounded sound to match its looks Our first introduction to the recently invigorated Elipson was via the remarkable looking Planet L speaker (HFC 350). Any manufacturer whose idea of a standmount speaker is a brightly coloured sphere the size of a bowling ball is unlikely to release its partnering electronics in an ordinary box and Elipson hasn’t disappointed us. The Music Center MC1 is, as the name suggests, an all-in-one system.
Ed Selley  |  Nov 29, 2011  |  0 comments
Brio benchmark Rega's new compact Brio-R amp uses a circuit design originally conceived in the late sixties. Jason Kennedy examines the modern classic The Brio-R is new in more ways than its remote handset, for a start it’s a totally new circuit, albeit one that was originally conceived in the late sixties. Rega designer Terry Bateman discovered the circuit as a result of buying and reading a large collection of second-hand Wireless World magazines and noticing that the previous owner, engineer Mike Howell, had circled particular articles. These articles led him to a design which was published in 1970, but to Terry’s knowledge never put into production.
Ed Selley  |  Nov 29, 2011  |  0 comments
Beauty and the beat Who said you can't have beautiful hi-fi and keen pricing? Richard Black looks at Primare's new £1,250-per-box CD and matching integrated Primare doesn’t launch new products every day, so we were excited to be offered the first chance to try these newcomers. Replacing the CD21 and I21, they are the company’s budget models, though obviously that’s a relative term. Still, £1,250 is a keen price although we can’t think of much hi-fi that looks this impressive for that kind of sum. The sound’s the thing, of course, but there’s also no denying that visually, these units just ooze class.

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