Phono Preamplifiers

Royal performance Creek has upped the ante with its first no compromise phono stage, Jason Kennedy puts the new Wyndsor through its paces Creek introduced the Wyndsor name with its fi rst turntable in 2010 (HFC 302) and now it has a phono stage to match. This is a two-box design with exemplary casework and a front panel interface that allows you to confi gure preset parameters for several different cartridges and have it remember each by name. This will be a boon to anyone who regularly changes cartridge and needs to set specifi c gain, impedance and capacitance for each. Another feature that we are beginning to see on a growing number of phono stages is balanced inputs, albeit not in conventional form.

Getting a valve phono stage to work well is no easy task when you bear in mind that on the quieter parts of a record, the output from a moving coil cartridge may only be about a millionth of a volt. This needs to be amplified up to a standard line-level output of around 1. 2Vrms, so for a start the whole circuit and power supply needs to be as quiet as a mouse. Then the stage itself also has to be first rate and stable under all operating conditions.

Joining Lindemann’s compact series, the Bridge is a network player with some useful extra capabilities

Bright and beautiful In this exclusive review Jimmy Hughes looks at Linn's new 'universal' phono stage and discovers a must-have tool for LP lovers It goes without saying that Linn’s Uphorik phono stage will have plenty of appeal to serious vinyl enthusiasts: those lucky individuals with a top class turntable, arm and cartridge, who are intent on making their precious collection of LPs sound as good as is humanly possible. Yet, the Uphorik will also appeal to record fans in general, proving once and for all that the vinyl LP is still very much alive and kicking in 2010. Which is pretty impressive news, given that its rival, the compact disc is fast approaching its 30th birthday. More importantly, vinyl is becoming increasingly popular among younger hi-fi enthusiasts born long after its heyday - see our feature on p84.

As a cut-down version of Parasound’s flagship phono preamp, the Halo JC3 Jr. is a flexible option

The final frontier Primare's beautifully built, full-width phono stage is the perfect partner for serious vinyl systems says analogue addict Jason Kennedy Primare’s new R32 has got to be the biggest phono stage on the market for under a grand, In fact, you could fit a dozen Dynavector P75 MkII stages inside it! Size is not usually considered a bonus in such devices but it has two benefits: you get a component that matches the rest on your rack and it’s extremely well built. You also get plenty of space between the power supply and the internal circuitry. When you are amplifying the pitiful output of a moving coil cartridge you need the quietest environment you can get and this is one way of achieving it. Back in black In 2009, we reviewed Primare’s R20 phono stage (HFC 320), which was half the width of the R32 and nearly half the price, but had the unusual feature of variable gain for the MM input only.