LATEST ADDITIONS

Ed Selley  |  Oct 11, 2011  |  0 comments
Ken goes to Boston Boston Acoustics’ new range has been tuned by Marantz’s Ken Ishiwata for European ears. Ed Selley goes hunting for the ‘signature’ sound Boston Acoustics are one of the major players in the American speaker market, producing a full range of conventional box loudspeakers, custom install products and car audio. Since the company was acquired by D&M holdings – which oversees Denon, Marantz and McIntosh amongst others – it has been raising its UK profi le. The A Series speakers are the new entrylevel range and made its low key debut at Bristol this year.
Ed Selley  |  Oct 10, 2011  |  0 comments
Marantz NA7004 Plenty of streaming functions, but we suspect the inclusion of Apple Airplay will pique as much curiosity Marantz’s take on streaming audio is that it needn’t replace more familiar ways of accessing audio and, indeed, the same box can look after new and old sources. Accordingly, the NA7004 functions also as a DAC, a digital radio and indeed an FM/AM radio too, thus covering the gamut of ‘streaming’ audio right back to the 1920s. As a DAC, it includes both types of S/PDIF input and a USB type B socket, for connection to a computer, which means you can use it alongside a computer that’s not on a network. The USB socket on the front is for media players, including the iPod (and other Apple devices), and the NA7004 is also equipped with Apple Airplay for wireless music replay from suitable Apple players.
Ed Selley  |  Oct 09, 2011  |  0 comments
Rotel RDG-1520 Streamer or a ‘digital gateway’? Fact is, this is an easy bit of kit to use if you’re not used to computerised audio Streamer, tuner, ‘digital gateway’ – whatever you call it, this is a very flexible way of getting at tunes. It may not have quite as many options on offer as the Marantz, but it still does plenty: streaming from a computer network (wired or wireless) and playing internet radio, FM, DAB, USB including iPod etc. It does support 96kHz playback off a network, though not off USB and only at 16-bit resolution. What’s more, although it plays the files it downsamples them to 48kHz, so they are no longer high-res in any sense.
Ed Selley  |  Oct 08, 2011  |  0 comments
Yamaha NP-S2000 Slick and sleek, with more obvious audiophile features than most, but is it worth the extra cash? By some margin the most ‘hair-shirt’ of the streamers in this group, the NP-S2000 nevertheless looks a lot more like a bit of high-end audiophilia than the rest. It’s vast and very heavy, and we were impressed to find, after removing 42 screws to get the lid off, that it really is quite full of electronics – two separate mains transformers, a large and well-populated audio circuit board, and so on. Part of the reason why the audio board needs so much electronics is that it has to drive a balanced output, as well as the usual unbalanced, something you really don’t often see on streamers. There are optical and electrical digital outputs as well.
Ed Selley  |  Oct 08, 2011  |  0 comments
Pushing the limit Jason Kennedy looks at Meridian’s £10,000 top-of-the range CD player and asks if we are approaching the performance limits of Red Book CD Meridian has been at the forefront of CD player technology since 1984 and the 808. 3 is its flagship disc spinner, so no digital stone has been left unturned in the quest to make its third incarnation the ultimate. As early pioneers in technology to reduce the ‘ringing effect’ of conventional digital filters, the 808. 3 makes use of the latest apodising filters and resolution enhancement DSP technology.
Ed Selley  |  Sep 27, 2011  |  0 comments
Electrocompaniet ECI 5 MkII Big and powerful, but calm and unfussed almost to a near-Buddhist extent It’s certainly imposing, and its non-standard width of 470mm may require some thought about siting it, but then maybe that’s just indicative of the Electrocompaniet way of doing things – not by anyone else’s book. The company has a long history of being original, going back to the days in the 1970s, when its genesis lay in Matti Otala’s documenting of TID: Transient Intermodulation Distortion. TID is now largely water under the bridge, component and design developments having ensured its demise as an issue in any decent audio amp, but Electrocompaniet continues to take an individual line on audio electronics and has a strong following as a result. Control of the unit is individual, too.
Ed Selley  |  Sep 27, 2011  |  0 comments
Rega Elicit The latest amp under this name is a sophisticated performer with singularly purposeful rhythmic flow The original Elicit, we were astonished to be reminded, appeared in 1990. Any resemblance to the current amp is superficial at most, as this design is new in concept, specification and design. It’s an 80-watt-rated amp built into a familiar-looking Rega case. In common with most current Rega electronics, it incorporates a heatsink on the underside: but since that’s not adequate in that position for two 80-watt channels there are also internal heatsinks at each side of the chassis.
Ed Selley  |  Sep 27, 2011  |  0 comments
Moon I3. 3 Lots of upgrade options, great build and we liked the internal DAC, but a little expensive taken just as an amp This is one of a growing number of integrated amps to include a digital input, either as standard or, as in this case, as an optional extra. It makes a lot of sense: you don’t need a huge amount of circuitry to make a pretty decent DAC and if you’ve got a case and power supply already it’s quite a simple addition. Electrical, optical and USB connections are provided, with the actual conversion being done by a good-quality, recent DAC chip supported by good passive components and onboard supply regulation.
Ed Selley  |  Sep 27, 2011  |  0 comments
Densen B-200/B-310 Densen plays it cool, Scandinavian style, though very flexibly – but does the sound quite match? There’s no denying that these two units look uncommonly smart and timeless with their perfectly rectangular looks. And also worthy of honourable mention is the impressive remote control, all metal and streets ahead of most of its breed. The basic specification isn’t too unusual, the power amp putting out a notional 80 watts into the usual eight-ohm load, while the preamp has effectively six line inputs. There’s an unusually prolific array of phono sockets, though, not least because there are no less than four preamp outputs.
Ed Selley  |  Sep 27, 2011  |  0 comments
Quad Elite Pre/Mono Quad's new Elite series may appeal strongly on visuals and simplicity, but we found lots to like sonically too With its track record in audio now exceeding three-score years and ten, Quad remains true to its original aims in offering unique audio products that are immediately recognisable. The Elite range, which over the last year or so has replaced the respected 99 Series, aims to incorporate audiophile design in small, smart and easily connected matching units, with source and amplification components sharing a basic case design. They can all be connected with the usual phono sockets, but Quad’s default hookup is the ‘Ampbus’, a 15-way D socket on the back of each unit which is connected to the next unit in the chain with a supplied ribbon connector, carrying balanced audio (and control) signals. There is a stereo power amp in the range, but for this test we chose a pair of mono amps, each rated at 150 watts output.

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