Loudspeakers

The mid-price super-floorstander sector is highly competitive, but the Oberon 7 is bursting with charm

Dynaudio has given its active wireless range a makeover, promising more style and performance. Will the Xeo 20 live up to the promise?

Can this single driver standmount speaker design really deliver full-range qualities?

It must be great to be Italian. For all the country’s quirks, it’s one of the richest seams of European culture and so much beauty has come from within its borders. Whereas we Brits can congratulate ourselves for inventing most of the essential tools for modern life – from the steam railway and the jet engine to the worldwide web – Italy has made things of great beauty, in so many forms. The sonnet is one such example – 14 lines of verse in iambic pentameter.

There is a school of thought among some loudspeaker buyers that a standmount design is a bit of a waste of time. The reason being that, as long as you aren’t intending to pop said loudspeakers onto a bookshelf, then by the time you have located them in your room and perched them on some suitable stands they take up roughly the same amount of room as some floorstanders, so why not just opt for them in the first place? While things are more complicated than this, you can see the logic.

Back in 1974, Yamaha released the NS-1000 loudspeaker. A purple period for the company, it seemed to be launching an endless stream of great products. These effectively put Yamaha on the map as a serious hi-fi manufacturer, capable of innovation, superb quality and outperforming its rivals.

Acoustic Energy made a great name for itself back in the late eighties and has gone from strength to strength ever since. Following a recent management buy out, the Gloustershire-based company has a renewed sense of momentum with various new speaker designs – several of which I have sampled – including the AE109 (HFC 425), a highly capable entry-level floorstander from its 100 Series.