Loudspeakers

Conveniently, you can count Denmark’s major speaker makers on the fingers of one hand. But while DALI, Dynaudio, Jamo and B&O could all rightly claim to be hi-fi savvy household names in the UK, you’re probably a little less familiar with Audiovector. I’m pretty sure the company’s home town of Copenhagen wouldn’t be quite such a wonderful place without it, though – not least for its highly unusual policy of making upgradeable speakers. Yes, you can send your base level standmount or tower back to the factory for a shot of material fettling so that when you unpack it for the second time, the déjà vu stops when the music starts and it sounds a whole lot better than before.

Trickle down. An expensive, cutting-edge product lends key aspects of its design and tech to a much more modest, affordably constructed and priced item, raising its performance/price ratio and gifting the brochure copywriter some useful ammo to spin-up a nice little cachet halo. It’s certainly an efficient and logical way of doing business and routine practice for many loudspeaker manufacturers. But with its new premium Reva range, Wharfedale seems to have turned the whole idea on its head.

It’s Elac Jim, but not as we know it! I have reviewed countless loudspeakers from this established German company over the years, and been impressed by many aspects of the sound, style and design – but the Debut B6 represents a ‘clean sheet’ loudspeaker by a newly hired acoustic engineer, done in a foreign country at a new price point. How’s that for a change of direction? Traditionally, Elac loudspeakers have had a distinctively bright, bracing and detailed sound with a delicate and well resolved treble thanks to the innovative and expensive tweeter. However, the new B6 – designedin Cypress, California – sells at a substantially lower price point than the company’s previous wares – at £299 per pair. For this, says designer Andrew Jones, a completely new approach was required that has meant new, bespoke drive units, careful fettling of less exotic cabinets and a meticulous costing of all the component parts to give the best sound per pound.

There are umpteen wireless speakers around now, but what makes the Air-X 403 interesting is that it’s aimed at serious audiophiles and yet is (relatively) affordable. Startingat £2,499 for these entry-level 403s plus £349 for the base station, there’s also the option of the larger 407 floorstanders for £4,299. Elac makes very fine loudspeakers and has done some pioneering work especially with tweeter technology over the years. So we’re not talking about a consumer electronics company sticking its wireless tech into any old pair of transducers here! They are effectively active, wireless versions of the highly capable BS 403 passive standmounter.

There is a school of thought among certain loudspeaker manufacturers that what’s good for studios is alsogood for the home. One of those manufacturers is ATC, the Acoustic Transducer Company, which builds professional and domestic monitors and voices both in the same way. In studios monitors are used to reveal problems, to highlight sounds that shouldn’t be there. Monitors are a fundamental tool of recording and mastering, the window into the production.

Famed for producing loudspeakers since the days of the BBC LS3/5A back in the mid seventies, Spendor made vast numbers of the mini monitor as well as offering its own SA1, which shared the BBC design’s tiny dimensions but was turned through 90°. The D1 you see here is the successor – the result is a tiny loudspeaker that’s purposed to deliver extremely high-quality sound. Purists may look on disapprovingly, but the venerable BBC design is virtually prehistoric by modern standards. The D1, however, uses the latest thinking in drive units, cabinet construction and bracing and crossover design – rather than being a rival to the BBC box, it’s the spiritual heir.