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Hi-Fi Choice  |  Nov 21, 2018  |  0 comments
The genuine materialisation of Triangle’s philosophy”, is how the company describes this substantial floorstander – despite not being the flagship line. Instead, the Australe EZ is the top of the Esprit range, which is two below the top Magellan. You might say it’s ideal if you want the best performance and value mix.
Hi-Fi Choice  |  Oct 05, 2018  |  0 comments
When Monitor Audio first unveiled its Studio standmount loudspeaker at the Bristol Show in February, I was genuinely intrigued. Unlike pretty much everything else in the company’s extensive loudspeaker lineup, it doesn’t belong to a wider range of products but is instead a design that, for now at least, exists entirely on its own. It has no claims to multi-channel use or smart home integration and it surprised visitors to the show by debuting early, having been planned to launch at the Munich High End Show in May,but instead beingready in time to be on display at Bristol.
Hi-Fi Choice  |  Oct 04, 2018  |  0 comments
Our story starts with Joseph Léon, a man decorated for bravery for his work in the French Resistance during World War II. Later, as managing director of Multimoteur, he began manufacturing loudspeakers called Conques (French for shells, due to their elliptical shape), and then changed the name to Elipson (‘ellipse’ and ‘son’, the latter being the French word for sound).
Hi-Fi Choice  |  Oct 03, 2018  |  0 comments
It’s all very well reading about loudspeakers that employ exotic materials and techniques in their construction, with special driver designs and radical ribbon tweeters, but most of us own models that are basically two or three moving-coil drive units in a fibreboard box with some acoustical damping and a shiny external finish. I’m quite fascinated by affordable loudspeakers.
Hi-Fi Choice  |  Oct 03, 2018  |  0 comments
There is a school of thought among some loudspeaker buyers that standmount designs are a bit of a waste of time. To be clear, this is not referring to those small speakers mounted on wall brackets or tucked away on a shelf, but rather those that are positioned in their own space on the floor atop a pair of stands.
Hi-Fi Choice  |  Sep 17, 2018  |  1 comments
Few hi-fi components read from a more conflicted job sheet than the standmount speaker. Put yourself inits place. Number one, you need to persuade your owner that, however tempting, being tucked away on a bookshelf isn’t that great an idea if you’re expected to give your best performance. Second, having avoided that dusty corner cosying up to Ian McEwan, the stout pillar you’re now perched on eats up as much floorspace as a floorstanding tower so, yes, the pressure’s on to deliver sonically.
Hi-Fi Choice  |  Sep 11, 2018  |  0 comments
Has hi-fi got better in the past few decades? Take loudspeakers for example; low-cost designs from the seventies were somewhere between dreadful and dire, but improvements in design and manufacturing now make it possible to do so much better. This point is beautifully illustrated by the new Monitor 300. To be frank, the price has you wondering if the company has inadvertently left off a zero. From a distance it looks like a swanky high-end floorstander – indeed, you could say the same from moderately close up.
Hi-Fi Choice  |  Sep 11, 2018  |  0 comments
A clue might be in the name, but to be honest, it isn’t much of a clue. Fyne Audio. Considerable pun potential apart, a manufacturer with a Scottish HQ seems a fair bet – not unlike legendary Scottish loudspeaker maker, Tannoy. More than just a coincidence? Absolutely.
Hi-Fi Choice  |  Jan 01, 2018  |  0 comments
Producing a concept unit especially for a show or event is a relatively common practise in the car industry, but rather less so in the world of hi-fi. Most companies tend to consider the business of creating items for production to be work enough, but one noble exception is KEF. Having done exactly this with the Muon floorstander, it repeated the process with the Concept Blade, and then managed to get both speaker prototypes into series production. In the case of the Blade, the result was an extraordinary speaker and one we liked very much.
Hi-Fi Choice  |  Nov 15, 2017  |  0 comments
It is hard to believe that it is now over a decade since Q Acoustics first began selling speakers. As a brand developed under the banner of Armour Home Electronics in 2006, it has successfully managed to swiftly migrate from newcomer to become the new benchmark for entry-level speakers (see our Group Test starting on p24). Even when it pushed its designs slightly upmarket with the arrival of its first Concept models in 2014, it delivered speakers that remain some of the best at their price points today. With barely any speaker markets left to conquer under £1,000, it was inevitable that eventually the brand would move more upmarket.
Hi-Fi Choice  |  Jun 01, 2017  |  0 comments
Having set up shop 30 years ago, the first speaker that Acoustic Energy made has gone on to become its most famous and enduring. The original AE1 was the little speaker that could. What it could do was largely defined by what the considerably older granddaddy of classy compact monitors, the BBC-designed LS3/5A, couldn’t. In other words, it excelled where the seductively mid-neutral old-timer was most obviously compromised – namely in its bass power and extension, loudness and dynamic range.
Hi-Fi Choice  |  Feb 24, 2017  |  0 comments
Conveniently, you can count Denmark’s major speaker makers on the fingers of one hand. But while DALI, Dynaudio, Jamo and B&O could all rightly claim to be hi-fi savvy household names in the UK, you’re probably a little less familiar with Audiovector. I’m pretty sure the company’s home town of Copenhagen wouldn’t be quite such a wonderful place without it, though – not least for its highly unusual policy of making upgradeable speakers. Yes, you can send your base level standmount or tower back to the factory for a shot of material fettling so that when you unpack it for the second time, the déjà vu stops when the music starts and it sounds a whole lot better than before.
Hi-Fi Choice  |  Feb 24, 2017  |  0 comments
When is a replacement not a replacement? This slightly abstract question comes about as a result of the loudspeaker you now see before you. When PMC started work on the twenty5 range, the intention was to replace the well-regarded twenty series models. But it very quickly came to the realisation that the speaker it was developing had the potential to be considerably better if the range was repositioned to sit between the twenty series andthe equally lower-case fact range. The result is that the twenty series continues as before with simplified finishes and a reduced price, while the twenty5 series arrives as a range in its own right.
Hi-Fi Choice  |  Jun 14, 2016  |  0 comments
Trickle down. An expensive, cutting-edge product lends key aspects of its design and tech to a much more modest, affordably constructed and priced item, raising its performance/price ratio and gifting the brochure copywriter some useful ammo to spin-up a nice little cachet halo. It’s certainly an efficient and logical way of doing business and routine practice for many loudspeaker manufacturers. But with its new premium Reva range, Wharfedale seems to have turned the whole idea on its head.
Hi-Fi Choice  |  Feb 01, 2016  |  0 comments
When a 90-year-old company has become so famous that its name is synonymous with the things it produces, perhaps there’s a temptation to rest on one’s laurels. After all, everything has been said and done, hasn’t it? Well Dr Paul Mills, Tannoy’s director of development, does not take that view. Indeed, he has just finished work on a substantial revamp of the very thing for which the company is famous – its Dual Concentric driver. This has given Tannoy its distinctive sound over the years, and does some things better than conventional loudspeakers.