Loudspeakers

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 |  Jan 23, 2015  |  0 comments
With the exception of REL and other longstanding subwoofer manufacturers, the concept of the 2. 1 system is something that has really only come into its own since the arrival of the sub/sat package in the home cinema boom at the start ofthe millennium. The concept of small speakers that take up little space and are underpinned by a subwoofer that can be tucked away out of sight had advantages for getting a home cinema system into a space that otherwise couldn’t accept one. It didn’t take a genius to see this could be applied to a hi-fi setup too.
Ed Selley  |  Jan 12, 2015  |  0 comments
British audio companies often adopt a more relaxed pace of evolution to their product ranges compared with some other countries and with speakers in particular, models and ranges can go many years without replacement. Neat Acoustics’ loudspeakers are a classic exampleof the‘if it ain’t broke don’t fix it’ approach – models like the Petite and Elite have been membersof the range almost since the company’s founding, albeit with continued upgrades. So, when the company decides to carry outa refresh, the result is always going to be interesting. This time it is the affordable Motive range that has been given a good going over after eight years (with some more subtle updates during that time).
Hi-Fi Choice  |  Dec 18, 2023  |  0 comments
Neat's floorstander builds on recent design philosophy, but fills a slightly different role
Ed Selley  |  Jul 27, 2011  |  0 comments
Neat Motive 1 Neat by both name and nature, this compact floorstander is physically, rather than sonically laid back A well-established operation, Neat’s reputation was founded on a small, but very communicative standmount called the Petite. The product portfolio has expanded considerably since then; the four stereo pairs in the Motive range consisting of three ultra-compact floorstanders and a standmount. Though still quite small by any standards, the two-and-a-half-way Motive 1 is the largest of these, a little taller than the two-way Motive 2, in order to make room for an extra bass-only driver beneath the main bass/mid driver. The twin 135mm drivers have 95mm cones, while the tweeter has an inverted 25mm titanium dome with integral-pleated surround.
Ed Selley  |  Mar 01, 2011  |  0 comments
Opera Callas This very compact and exquisitely presented stand-mount has a thoroughly unconventional multi-tweeter Opera and its associated electronics brand Unison Research both share premises near Treviso in north east Italy. And in the best Italian tradition, this standmount looks absolutely gorgeous and is very substantially built too, though it’s not exactly cheap at £2,875 per pair. A solitary and rather small 135mm driver with a 100mm diameter magnesium alloy cone covers the bass and midrange. It has a large (38mm) fixed solid copper ‘bullet’ phase plug and is assisted by reflex loading from twin rear ports.
Hi-Fi Choice  |  Dec 17, 2019  |  0 comments
Ophidian is quickly building a reputation for knockout sonics and this floorstander shows why
 |  Jan 26, 2015  |  0 comments
Every once in a while someone does something remarkable that seems bizarre and contradictory to the received wisdom, yet sometimes they stick to their guns, resist ridicule and peer pressure and eventually turn out to be right. When Dick Fosbury jumped backwards over a high jump bar at the 1968 Olympics, many in the crowd thought he was mad. But this madness won him a gold medal as well as setting a new Olympic record. Origin Live may be better known for its highly engineered tonearms and turntables, but with the launch of its Astute speakers it’s bending over backwards to declare that there may be alternative ways to reproduce high fidelity music.
Hi-Fi Choice  |  Jan 18, 2021  |  0 comments
Sporting advanced beryllium drivers, this standmount offers some serious hi-fi chemistry
 |  Jan 28, 2015  |  0 comments
Can you imagine the seventies without Compact Cassette, or the eighties without Compact Disc? Philips was one of the great innovating consumer electronics companies of the last century, easily surpassing most of its Japanese and American rivals. It may not have had the marketing nous of Apple, but it has originated far more technology than anyone in Cupertino ever did. But what of this century? Many would say its performance has been something of a mixed bag, but more recently there have been encouraging signs. A few years ago, it came up with its new audio brand ‘Fidelio’.
Hi-Fi Choice  |  Feb 23, 2021  |  0 comments
An elegant exterior can hide a multitude of sins, but this floorstander sounds as good as it looks
Ed Selley  |  Jul 20, 2010  |  0 comments
PMC DB1i - £985 Probably the smallest transmission line speaker in the world. Someone should inform the Guinness Book of Records In PMC parlance, DB is shorthand for Dinky Box. While somewhat deeper than sealed-box miniatures, like the classic BBC LS3/5a, the front view is barely larger than that needed to accommodate two drive units, so this DB1i is certainly a tiny loudspeaker. Especially when you consider that the four-section transmission line squeezed inside this little enclosure to load the back of the small main driver has an amazing effective length of 1.
Ed Selley  |  Oct 14, 2010  |  0 comments
PMC GB1i - £1,525 Opinion might be divided on this PMC, but there’s no doubting its ability to take on the competition The key factor that distinguishes PMC speakers from the herd is an ATL. This stands for ‘advanced transmission line’ and refers to a bass loading technique that is uncommon, though by no means unique. Much more complex than the almost ubiquitous port loading, the efficacy of TL loading might still be a topic of fierce debate in some quarters, but a folded line does create a very stiff and solid structure. Because it uses a relatively small (140mm) bass/mid driver, the £1,525 GB1i still manages to accommodate a 2.
Ed Selley  |  Jul 27, 2011  |  0 comments
PMC GB1i Transmission line bass loading distinguishes this compact floorstander from most of the competition Since its beginnings in the late 1980s, PMC has grown into a major player on the UK speaker scene, focusing on ProAudio customers and the more upmarket hi-fi sector with its ATL (advanced transmission line) speaker systems. Although it’s no larger in width and depth, the £1,525 per pair GB1i is a little taller than the other two-way models that use small bass/mid drivers. The reason has all to do with the transmission line bass loading technique, which squeezes a carefully damped 2. 4m line into the enclosure volume behind the main driver, by folding it twice and terminating it with a large port at the front near the floor.
Hi-Fi Choice  |  Feb 24, 2017  |  0 comments
When is a replacement not a replacement? This slightly abstract question comes about as a result of the loudspeaker you now see before you. When PMC started work on the twenty5 range, the intention was to replace the well-regarded twenty series models. But it very quickly came to the realisation that the speaker it was developing had the potential to be considerably better if the range was repositioned to sit between the twenty series andthe equally lower-case fact range. The result is that the twenty series continues as before with simplified finishes and a reduced price, while the twenty5 series arrives as a range in its own right.
Hi-Fi Choice  |  Dec 04, 2023  |  0 comments
The small floorstander is very elegant looking and packs one hell of a punch

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